Spiritualized tickets

Spiritualized Tickets

Spiritualized plus guests Corn Exchange, Cambridge

Friday 29th April 2022 Doors at 18:45

Spiritualized plus guests Brighton Dome, Brighton

Saturday 30th April 2022 Doors at 19:00

Spiritualized plus guests Symphony Hall, Birmingham

Monday 2nd May 2022 Doors at 19:00

Spiritualized plus guests Royal Concert Hall, Nottingham

Monday 9th May 2022 Doors at 18:30

Spiritualized plus guests Roundhouse, London

Tuesday 10th May 2022 Doors at 19:00
Spiritualized Fan Reviews (2) 5.0
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"A Truly Epic, awesome and majestic performance from JP and Spiritualized"
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Spiritualized, Eventim Apollo, London - 21st September 2018

An awesome show which is up there with the best gigs that I have ever seen or heard.

Just a few words to sum up Jason Pierce's sublime Spiritualized performance at the Eventim Apollo, complete with a band / orchestra which must have covered the entire musical spectrum in two hours, while a gospel choir elevated the songs to unparalleled giddy heights. Simply wonderful stuff.

Posted by Andy Mac, Portsmouth. on 26/09/2018

"Float In Space ."
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Spiritualized, Eventim Apollo, London - 21st September 2018

Jason & Spirtualized took us on a mesmerising journey , with a truly mind blowing set , spine tingling experience!
The orchestra , the choir , the emotion washed us away , we didn't want it to end , but , when it did we knew we had experienced something truly wonderful !
The only negative was people constantly getting up to to fill their bladders with more alcoholic drinks and missing half the show , the venue need to change their policy on taking drinks in to the auditorium , think of the paying public instead of your profits and if you want to drink , stay in the pub and leave concerts to music lovers !

Posted by Frank Spaceman . on 23/09/2018



SPIRITUALIZED
EVERYTHING WAS BEAUTIFUL

While some people imploded in the lockdowns and isolation of the epidemic, others were thriving.

“I felt like I’d been in training for this my whole life” said J Spaceman in a text conversation last June or so.

He was referring to his fondness of isolation and when you reframe loneliness as “beautiful solitude” then it isn’t so bad.

He would walk through an empty “Roman London” where “even the sirens had stopped singing” and where the world was “full of birdsong and strangeness and no con-trails.”

He used the birdsong walks to listen and try and make sense of all the music playing in his head. The mixers and mixes of his new record, a ninth studio album, weren’t working out yet.

Spaceman plays 16 different instruments on Everything Was Beautiful which was put down at 11 different studios, as well as at his home. Also he employed, more than 30 musicians and singers including his daughter Poppy, long-time collaborator and friend John Coxon, string and brass sections, choirs and finger bells and chimes from the Whitechapel Bell Foundry. So, there’s a lot going on.

“There was so much information on it that the slightest move would unbalance it, but going around in circles is important to me. Not like you’re spiraling out of control but you’re going around and around and on each revolution you hold onto the good each time. Sure, you get mistakes as well, but you hold on to some of those too and that’s how you kind of... achieve. Well, you get there.”

Eventually the mixes got there and Everything Was Beautiful was achieved.

The result is some of the most “live” sounding recordings that Spiritualized have released since the Live At The Albert Hall record of 1998, around the time of Ladies & Gentlemen, We Are Floating In Space.

The opening track “Always Together With You” is a reworking / supercharging of a track originally released in demo quality in 2014. This new version is a perfect Spiritualized song; a breathtaking, hard edged, psychedelic pop tune where themes of high romance and space travel collide. In one of the most sublime refrains of the band’s career, the backing singers call out “if you gotta lonely heart too”.

And don’t we all? Sometimes?
On “Best Thing You Never Had”, we meet characters who blew their mind but “never had a mind to blow” over backing instrumentation that sounds like a New Orleans funeral procession band who’ve been drinking thinners all night. It’s possible this Stones at Exile-era stomp is auto-biographical, but maybe not. It’s hard to remember.

“Let It Bleed (For Iggy)’’ is heavy eye-lids and the romantic intricacies of emotional intimacies, a honeyed song that careers into choir-fueled intensity. A country number “Crazy” is even sweeter, a lorazepam Tammy Wynette ballad with backing vocals by Nikki Lane.

Spaceman: “When we were mixing, I relied a little bit on what I knew of Ladies And Gentlemen..., that if you start throwing mixes together, it stops sounding like what you already know from the past. Some people have a method of making records like jamming Lego bricks together into something they already know but I wanted to do this differently.

“And like the last record (And Nothing Hurt) was made to go out and perform live, we did the same thing with this, but even more so. We’ve tried to play stuff from this album live before but it never really worked but now we’ve got the record how we want it to be, we have something to launch from.”

Of all the songs on Everything Was Beautiful, the three contained on the b-side are the ones that already sound close to the intensity of Spiritualized’s live shows. The final piece of the recording process involved adding some clarinets and vocals to give “it all a sense of proper chaos”.

Spaceman wrote the lyrics to “The Mainline Song” one night while watching the protests happening in America on TV. And if that track is like driving your car too fast with the one you love in a city you've never been before, then the following tune The A Song (Laid In Your Arms)” is driving that thing off the edge of the world.

A stupendously epic tale of “words that are old as the hills / cooked on a diet of mushrooms and pills / One man’s crime is another man’s thrill and we’re gone”, it’s a mountainous song, a glorious noise; screeching sax, clarinets, free jazz, improvised chaotic squall, a seething mass of Spaceman rock and roll and its seven minutes are over far too soon.
The last (nine minute) tune “I’m Coming Home Again” recalls the atmosphere of “Cop Shoot Cop” from Ladies and Gentlemen; a brooding, repetitive, swamp song, building and building, abetted by a choir to get deeper and darker over time, with lyrics like: “I’ve kind of had it with philosophy cos I’m thinking I am but I’m failing to be”.

“The last track was always the thing that the record, hinged around. I wanted it to be almost like a dub, something that just hung in the air.

“It develops quite slow and it seemed to be an almost easy option to sort of make it a really screaming free form thing but it's kind of restrained and held back and it just kind of hangs.”
It hangs, it floats and then it’s over.

And you can go back and do it all over again because there are so many layers and layers of sound in this thing that to listen to it once would be selling yourself short.

The artwork is designed once again with Mark Farrow. If you buy the vinyl you can pop a pill box out of the sleeve, revealing gold foil underneath, and assemble the Braille-embossed little thing and put it somewhere in the house. The box set has 8 of them.

Literally a boxset. It looks more beautiful in the flesh.
About the boxes: “Farrow and I were talking about what we should do and we just said, ‘It’s called Everything Is Beautiful, how could you not have a pill?’”

All these layers, all these details, the year-long mixes, the making sense of it all and the lives lived within these lyrics; for somebody so famously unconfident of his own abilities, isn't this a punishing thing to keep doing?
“Yeah, but I like what I do. There’s a line from Jonathan Meades that’s about having all the attributes to being an artist. ‘Paranoia, vanity, selfishness, egotism, sycophancy, resentment, moral nullity and more idiot than idiot savant.’

“And that's what it feels like, this kind of thing. You’re your own worst enemy and biggest supporter.

“There's a ‘Of course this is worth it. It's me’ and then this kind of deep doubt of ‘What the fuck is this all about?’

“And then ‘Why is it important?’ and then knowing there's no easy answer.
“But it's there. I know it's there.”

Andy Capper
Sept 2021

Artist Bio

Spiritualized are an English rock band formed in 1990 in Rugby, Warwickshire, United Kingdom by Jason Pierce, who often goes by the alias J. Spaceman, after the spectacular demise of the Spacemen 3 outfit. The membership of Spiritualized changes from album to album, with Pierce being the only constant factor.

The first Spiritualized release was a space rock-esque cover of Any Way That You Want Me in 1990, a record which heralded the official split of Spacemen 3 following contractual wrangles over the band's name. Of the final Spacemen 3 line up, bassist Will Carruthers, drummer Jonny Mattock and session guitarist Mark Refoy joined Pierce in the first phase of Spiritualized (for the debut LP, Lazer Guided Melodies), alongside his then girlfriend Kate Radley. None of the original line up remains - Carruthers tried for a solo career, Mattock played for a spell in The Breeders (and later Lupine Howl), Refoy formed Slipstream(his replacement was John Coxon) and Radley married Richard Ashcroft of The Verve. A later cohort of Spiritualized backing musicians - Sean Cook, Damon Reece and Michael Mooney - formed Lupine Howl following summary dismissal by Pierce.

Sax player Ray 'Moonshake' Dickaty was added to the lineup in 1997, and Gregg Hale (guitar) also augmented the band in 1997 and 1998.

Retaining only keyboardist Thighpaulsandra (keyboards)a replacement for Kate Radley, Jason Pierce then debuted a new (and current) line up of Spiritualized, introducing classical percussionist Tom Edwards and former Julian Cope string arranger Martin Schellard on bass guitar. Completing the new Spiritualized line-up were guitarist Doggen of Brain Donor and the Julian Cope band, and drummer Kevin 'Kevlar' Bales who is also ex-Julian Cope band. Ray Dickaty departed in 2003, quitting to play in the free-jazz Solar Fire Trio. The remaining line-up finished recording the album Songs In A&E in Nottingham and London.

The musical style of Spiritualized can perhaps be best described as psychedelic rock, especially earlier albums like Lazer Guided Melodies and Pure Phase, which also incorporated elements of the shoegazing style made popular by influential 1991 album Loveless. The landmark Ladies And Gentlemen We Are Floating In Space showed influences from African-American gospel and blues beginning to creep in, and wall of sound influences from Phil Spector and Brian Wilson began to predominate, which came to a head on Let It Come Down. Amazing Grace favoured a more stripped down sound with the gospel, blues, and soul influences heavier than ever.

For several years (ending in or about 1999), Spiritualized were the only active artist signed to Dedicated Records, a British independent label which had, by then, been acquired by Spiritualized's then-label, Arista Records.

On 15 June 1997, Spiritualized became the last band to play at Factory Records' Manchester nightclub The Haçienda.

After several years of work and Pierce's serious illness in July 2005,the album, Songs in A&E was released on 26 May 2008 in the UK, and on 27 May 2008 in the US. The first single from the 18-track album was "Soul On Fire". The release was backed by an Electric Mainlines UK tour which began in May. Pierce has also scored Harmony Korine's 2008 film Mister Lonely.

In October and December 2009 the band performed 1997's Ladies and Gentlemen We Are Floating in Space live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series.

After more than two years in the making, while Pierce was undergoing experimental chemotherapy for a liver disease, and including a year long period of mixing, Sweet Heart Sweet Light was released in April 2012, on Double Six Records. The band had already played some of this new material over the past 3 years but not much else was known about the content of the album. The album cover, an octagon surrounding the word "Huh?" on a plain white background, is a reference to the working title of the album. In an interview regarding the new release it was revealed that the album would "embrace" more poppy songs compared to previous albums. In the same interview, Jason Pierce also said that the album was partly inspired by the experiences of performing Ladies and Gentlemen We Are Floating in Space live in its entirety.

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