Before you contact us please be sure to check our frequently asked questions as our most common questions are answered there already, such as:
View your order, change your address & resend your order confirmation
If you still need to get in touch...
At the Young Vic we tell stories that change the way people look at the world.
Our shows are created by some of the world's great artists - of this generation and the next. With roots deep in our neighbourhoods, we reach out to theatre makers across the globe.
We have the most diverse and engaged audience in London, enjoying work of the highest quality at low prices. In our award-winning super-flexible theatre, you'll never feel you're in the same place twice.
The Young Vic. It's a big world in here.
The Young Vic, London
The Young Vic is a theatre on The Cut, located near the South Bank, in the London Borough of Lambeth. It specialises in giving opportunities to young actors and directors. The theatre is publicly subsidised and has a high artistic reputation. Playwright David Lan has been the theatre's artistic director since 2000. Its philosophy is to "produce great plays for great audiences, now and in the future".
Young Vic History
The Young Vic's name derives from the nearby Old Vic, one of the most celebrated of London's theatres and the first home of the National Theatre.
In the period after World War II a Young Vic Company was formed in 1946 by director George Devine as an offshoot of the Old Vic Theatre School for the purpose of performing classic plays for audiences aged nine to fifteen.
This was discontinued in 1948 when Devine and the entire faculty resigned from the Old Vic, but in 1969 Frank Dunlop became founder-director of The Young Vic theatre with his free adaptation of Molière's The Cheats of Scapino, presented at the new venue as a National Theatre production, opening on 11 September 1970 and starring Jim Dale in the title role with designs by Carl Toms (decor) and Maria Bjornson (costumes).
Initially part of the National Theatre, the Young Vic Theatre became an independent body in 1974.
In the words of Laurence Olivier, then director of the National Theatre: "Here we think to develop plays for young audiences, an experimental workshop for authors, actors and producers." The aim was to create an accessible theatre which offered high quality at low cost in an informal environment. The aim was to appeal to young audiences, but this time not specifically to children.
Young Vic Theatre
Frank Dunlop completed creation of the theatre venue in 1970, a breeze-block building in The Cut constructed out of a former butchers' shop and an adjacent bomb-site. It was intended to last for five years, but has become permanent.
The auditorium, with a thrust stage, has a capacity of around 500 but this can vary depending on the configuration of the stage for each production.
In addition to the Young Vic's main house, there are now two smaller theatre spaces. The Maria, named after theatre designer Maria Bjornson, is the larger of the two with a capacity of 150. The Clare, named after the former artistic director of the Sheffield Crucible, Clare Venables, seats 70. Like the main house, both smaller theatres have flexible seating configurations which can be arranged to suit the production design. In all of the Young Vic's theatres, seating is unreserved with the actors performing in close proximity to the audience.
The Young Vic primarily performs classic plays, but often in innovative productions. Many well-known actors have worked at the Young Vic including Ian Charleson, who made his memorable professional debut with the Young Vic 1972-74, and who played Jimmy Porter in Look Back in Anger and Hamlet in the first revival of Stoppard's Rosencrantz and Guildenstern Are Dead in 1973. Others include Vanessa Redgrave, Helen Mirren, Judi Dench, Timothy Dalton, Ian McKellen, Willard White, Clive Owen, and Jude Law.
Quintessential rock band The Who held free, weekly concerts at the Young Vic in early 1971 in order to rehearse what would become their masterpiece album, Who's Next. One of these shows was released on the Deluxe edition of this album.
A memorial in the theatre's auditorium commemorates the 54 people killed in 1941 while sheltering in the cellars of the former building on the site, during The Blitz.
In 1982 the theatre hosted a Poetry Olympics, where comedian Pat Condell took part.
Young Vic Awards2004 - Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre
2008 - Laurence Olivier Award for Best Musical Revival Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre
Young Vic Refurbishment 2004-2006
The ClareIn 2003, the Young Vic launched a campaign to raise £12.5 million for a major reconstruction of its building and closed in 2004 for work to start.
Designed by architects Haworth Tompkins - also known for their refurbishment of the Royal Court Theatre, Regent's Park Open-Air Theatre, and two temporary venues for the Almeida - and with Jane Wernick Associates as the structural engineers, and consulting engineers Max Fordham LLP designing the building services, the refurbishment was completed in October 2006.
The main auditorium has been left intact, but refurbished and technically enhanced. The butchers' shop has also been retained as the main entrance to the building and also the box office.
The remainder of the 1970s structure has been rebuilt to provide new foyers, dressing rooms, two studio theatres, and workshop spaces. An award of £5 million was received from the Arts Council of England.
The Young Vic re-opened on 11 October 2006, with a production of the community opera Tobias and the Angel; with music by Jonathan Dove and a libretto by David Lan.
On 16 May 2007, the refurbished Young Vic won the RIBA London Building of the Year Award. Following this award, the Young Vic was also short-listed for the RIBA Stirling Prize on 27 July 2007.
Gigantic3-5 High PavementNottinghamNG1 1HF
© 2021 Gigantic Tickets Limited. All rights reserved.