King's Head Theatre, London
Running time: Both plays run for 70 mins each
Age Restrictions: Age guidance: 16+
Tickets from £19.00
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Following a critically acclaimed run at the Park Theatre, Paul Bradshaw returns to the Kings Head with a double bill of tell me straight and aggy, with design by Olivier nominated Damien Stanton, lighting by OFFIE winner Cheng Keng, sound by BBTA winner Eamonn O’Dwyer & video by Stage Award shortlisted Matt Powell.
Starring Bradshaw, ‘tell me straight’ is a fast paced, semi-autobiographical, coming-of-adulthood play that's a glorious, witty, and provocative exploration of what it means to navigate and embrace our sexuality.
Him’s long line of hookups have one thing in common; they’re all straight. Best friend Dani thinks he needs to fix up and finally find ‘a gay man who actually likes gay men!’ But straight guys are like buses…
A 30-day detox is just what Him needs - no booze, no fast food and no men! Buuuuut will distractions in the form of wide-eyed Lee, fuck boy Ryan and oldest friend Matt prove to be derailing? Or will Him finally change his ways and see what is right in front of him?
‘aggy’ is a bold one-act play exploring privilege, gender, race and creativity. It's about art and who gets to make it. The play unflinchingly examines how people freely police one another, and how this can lead to destruction.
Lawrence and Mahlik have been together for a year. It’s going pretty well on all accounts. So when Mahlik’s contract is up at his flat, it’s only logical that they move in together.
After a particularly tough rejection, Mahlik makes a risky suggestion for Lawrence’s next project - that he presents as an alter ego to secure more opportunities. As success starts to roll in, this fabricated persona leaves the couple facing uncomfortable truths neither of them can ignore
King's Head Theatre
King's Head Theatre
115 Upper St, Islington, Greater London
London
N1 1QN
The King’s Head Theatre stands on a plot of land that has been used as a public house since 1543, though for most of its history it has been known as the King’s Head Tavern (the name itself coming from an old story about Henry VIII supposedly stopping for a pint on his way to see his mistress). The current building dates back to the 1800s.
Dan Crawford took over The King's Head in 1970, and founded the King’s Head Theatre in a room that had been used as a boxing ring and pool hall, establishing the first pub theatre in London since Shakespeare’s day. Under his leadership the pub became well-known for ringing up pounds, shillings and pence until 2008, a full thirty-seven years after the rest of the UK had switched to decimal currency. Five years on, the old till still sits behind the bar. The pub is packed full of other period details, including gas lights, the original bar, old photography, and coal fires that burn continuously throughout the winter.
Crawford led The King's Head for thirty-five years, establishing it as a breeding ground for new talent and great work. The walls of the pub display the multitude of famous faces that began their career here. In 2010, Olivier Award-winning UpClose Productions became The King's Head Theatre’s resident company, and Adam Spreadbury-Maher was appointed the venue’s second Artistic Director, working alongside Robin Norton-Hale who leads the company’s opera programme. UpClose Productions produce at least eight shows a year, and curate the work of visiting companies all year round. The venue’s reputation for nurturing new talent continues, with pioneering Trainee Director scheme (winner of the Royal Anniversary Trust Award in 1992) still being run by UpClose Productions. Recent graduates have gone on to work at the National Theatre, RSC, Lyric Hammersmith and the Globe, plus many other internationally-renowned companies.
Travel by train: Nearest tube: Angel